It is impossible to deviate from an already established convention without causing some turbulence amongst the subjects/recipients of the convention.
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Large satellite broadcasting companies around the continent have already stressed the need for a unifying code of subtitling practices, a code that would enable them to reach the various individual country audiences through a unique set of subtitling standards that would not violate the already established conventions within the various countries.Īt a first glance, such an attempt or a “desire” looks rather futile. In such a unified framework of European mass communication, subtitling-as a means of overcoming linguistic barriers between the nations-will come to play a critical role. digital TV) are bound to overcome the limited physical borders of the participating countries, leading to the creation of a pan-European market audience. However, there are a few undeniable realistic parameters that cannot pass unnoticed: a) the movement towards a United Europe necessitates the adoption of common practices that would enable the participating countries to operate as a unified body, b) new technological developments in mass media and communication (e.g. In other words, the attempt nowadays is rather to describe the various subtitling conventions being followed throughout Europe, rather than to impose new ones. In Europe, current research into subtitling is oriented towards an attempt to describe the various subtitling practices around the countries of the continent rather than to dictate what practices should rather be followed. As a consequence, the research effort has been shifted from an investigation of things that should be done to an investigation of things that are being done.Īudiovisual/Screen Translation is not left out of the trend. Translation Studies is nowadays overwhelmed by a number of attempts to discard prescriptive standpoints and adopt new, descriptive directions. Including Technical and Academic Writing in Translation CurriculaĪ Translator’s Guide to Organic Chemical Nomenclature XIĪ Proposed Set of Subtitling Standards in EuropeĮuropean Association for Studies in Screen Translation (ESIST) Translation and Transliteration of the Mongolian Language Karamitroglou is a member of the European Association for Studies in Screen Translation (ESIST) and of the British Institute of Translation and Interpreting (ITI).ĭr.
research in Audiovisual Translation (to be awarded in July 1998).ĭr. in Translation Studies in December 1996 and remained at UMIST for a Ph.D. After serving in the Greek Army as a Reserve Cadet Officer, he moved to England to earn a Masters Degree at the University of Manchester Institute of Science and Technology (UMIST), sponsored by the Greek State Scholarship Foundation (IKY). He received a First Degree Diploma in English Language and Literature in 1993. He entered the School of English at the Aristotle University of Thessaloniki in 1989. 2įotios Karamitroglou was born in Thessaloniki, Greece, on June 30, 1971. Ignore the haters and wannabe critics and watch this film, I'm sure you will be as surprised as I was.Subtitling Standards - A Proposal Volume 2, No. This film-maker is certainly one to watch! It's a well deserved 9/10 from me, and if anyone questions my review as being fake, click on my username and you will see my almost 600 reviews and 1000+ ratings. His production was better than some of the big budget Hollywood-backed A-list productions I've seen lately. Overall this was a real treat to watch, especially knowing that this was Corey Pearson's first dabble in film-making. The choreography for the fight scenes was decent, with a surprisingly perfect amount of gore. He seemed very stale, and in the beginning, uninteresting. The casting was mainly no-name actors or C-listers, but all performed really well, although I wasn't too impressed with Paul O'Brien's performance - or even as the casting choice. The films 91 min length was perfect, and the pacing was spot on.
Sure we've seen many of these types of hit-man films, but this one still felt refreshing, especially due to the films location setting. Excellent shots - pans, zooms, angles, etc. WOW did he hit this one out of the ballpark - especially considering all the hats he wore for his first film! Right from the start, the cinematography and directing seemed like it came from a seasoned film-maker. This is the 'first' ever film by director, writer, editor and producer Corey Pearson. When I review a film, I don't compare apples to oranges, and thus rate it on its production merits. Wow, much better than I was expecting, especially considering this is a non-Hollywood international (Indonesian and Australian) low budget B-grade film.
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